Photography was provided by Beniu Bysrki.
The event was organized by the L.A.S. Listening and Sounding Foundation and financed under the National Recovery and Resilience Plan (KPO) with funds from the European Union – NextGenerationEU.
Once again, Muzyka Ucha Trzeciego demonstrated that improvised music does not require grand statements—only space, attentiveness and a willingness to truly listen.
Set 3 – collective energy
The most extensive part of the evening was divided into two segments. The first featured Gosia Zagajewska, Filip Miguła, Ksawery Wójciński (double bass), and Krzysztof Redas (drums). In the second segment, Justyna Miguła joined the ensemble. Both parts of Set 3 intensified the concert’s energy—pulsating bass lines, percussive interventions and processed vocal sounds formed dense, sometimes trance-like structures.
Set 4 – closing the circle
The evening concluded with a duo by Barbara Drazkov and Marta Bogusławska, this time performing on two prepared pianos. It was a quiet yet complex ending, rich in resonances, friction and delicate sonic details that lingered long after the final sounds faded.
Between sets, the audience was invited to meet and talk with the artists, exchanging impressions and reflections. These informal conversations were an integral part of the event, reinforcing the communal and open character of the Muzyka Ucha Trzeciego series.
Set 1 – fragility and tension
The concert opened with a trio featuring Barbara Drazkov (prepared piano), Marta Bogusławska (voice), and Gosia Zagajewska (voice, electronics). Their improvisation unfolded on the edge of silence, built from subtle gestures, textures and micro-interventions. The prepared piano produced rough, tactile sounds, while the voices—sometimes clear, sometimes electronically transformed—hovered between restraint and expression.
Set 2 – dialogue and focus
The second set brought a duo performance by Justyna Miguła (violin, gidjak, voice) and Filip Miguła (piano). Their interaction was rooted in attentive listening and responsive exchange. String lines intertwined with piano structures, creating a narrative marked by tension, space and moments of calm.
MUT#13 | 23.01.2026 |The Third Ear Music | Academy of Modern Art
On January 23, 2026, Lublin once again became a space for deep listening and musical experimentation. The latest edition of the The Third Ear Music series brought together an audience open to risk, intuition and sonic exploration—elements that define this cycle not only as a concert format, but as a shared listening practice.
This time, the event took place at the Academy of Modern Art in Lublin. Due to the suspension of activities at PHONOmatic Studio, the change of venue became a necessity—but also an unexpected advantage. The new space introduced a raw yet intimate atmosphere, encouraging focus and a close connection between performers and listeners.
As is customary for Muzyka Ucha Trzeciego, the stage was occupied by artists who had never performed together in these specific configurations before. This principle of first-time encounters shaped the entire evening. Each set existed only once—created in the moment and impossible to repeat.
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