The L.A.S. Collective’s European tour was far more than a sequence of performances—it evolved into a multidimensional platform for collaboration, idea exchange, and the creation of new artistic spaces. Each stop brought unique artistic and social value, revealing music’s profound ability to transcend borders and foster dialogue. The connections made, projects initiated, and discussions held throughout the journey form a strong foundation for the continued development of an international collaborative network. In the spirit of openness, dialogue, and experimentation, L.A.S. Collective affirms its identity not only as an artistic entity but as a cultural force—engaged, visionary, and ready for the challenges and possibilities ahead.
Activity co-financed by the PROO 5 program of the National Institute of Freedom.
June 10 – Brussels – TouraToura (formerly PickArt)
Joined by drummer Ignacy Caputa, the group performed two sets with Greek-born local musician Pericles Makris. Hosted by an association led by filmmaker Sebastian Strycharski, TouraToura promotes music, documentary film, and intercultural dialogue among Brussels’ immigrant communities from over 230 countries. A long musical session and extensive talks followed, focusing on future projects.
June 12 – Paris – The Dissident Club
Performing at the renowned social-activist venue founded by journalist and human rights advocate Taha Siddiqui, the group (Damasiewicz, Kasprzyk, Lesiak, Miguła, Caputa) delivered a dynamic show followed by a vibrant jam session with local and resident Parisian musicians.
June 13 – Luxembourg – Mirador Club (Fête de la Musique)
As part of the International Fête de la Musique, L.A.S. Collective performed as one of the festival’s leading jazz ensembles. The extended lineup included Arthur Elgel, a promising young local bassist.
June 14 – Dresden – Der Audiograph
The penultimate stop was at Der Audiograph, an artistic collective space dedicated to improvised collaboration. Hosted by resident artist, trumpeter, and improviser Marcous Albinoni, the ensemble played three diverse sets, accompanied by a visual art exhibition by Justyna Miguła. A richly creative and inspiring encounter.
June 15 – Wrocław–Berlin – Kulturzug
As part of the Avant Art Festival, a performative concert was held aboard the symbolic Kulturzug train linking Wrocław and Berlin. The themes of the performance—Connection, Journey, and Time—were sonically interpreted in a silent concert format. Music was mixed live and transmitted via headphones to all passengers.
June 16 – Berlin – Avant Art Festival
The final performance took place during the Polish Art Week section of Avant Art Festival. The event opened with a solo act by Piotr Damasiewicz—a powerful reflection on the personal and social dimensions of artistic expression.
June 4 – Wrocław – MiserArt
The tour opened with a concert at MiserArt, a venue dedicated to supporting people experiencing homelessness. The L.A.S. Collective (Damasiewicz, Lesiak, Miguła, Kasprzyk, Caputa) not only performed but also initiated a dialogue about musical empowerment for this marginalized group. Discussions addressed access to instruments, rehearsal spaces, support programs for homeless musicians, and conditions for socio-artistic reintegration.
June 5 – Berlin – Kuehlspot Social Club
Co-organized with the Berlin association of avant-garde musicians, the concert at Kuehlspot continued an ongoing collaboration. Performing as a quintet, the ensemble presented material from their upcoming album, recorded at Berlin's Sugar Candy Mountain and slated for release at Jazz Jamboree 2025. Guest musicians Joe Smith and Ranijd Prasad from Berlin's improvised music scene joined in. The night ended with in-depth conversations about future cooperation.
June 6 – Brussels – Grand Hospice
In the historic chapel of a former hospice turned cultural center, the collective held an open recording session with a live audience. The performance echoed the metaphysical essence of the venue and was accompanied by an exhibition of visual works by Justyna Miguła, inspired by the music and philosophy of L.A.S. Miguła also curates the collective’s new publishing series.
June 7 – Amsterdam – GROND Community
In a space run by a local artistic cooperative, the ensemble expanded its lineup with drummer Marcos Baggiani and bassist Dominique Chabot. The event featured a three-part concert: a debut performance by the trio Miguła-Chabot-Lesiak; a second set by Baggiani, Kasprzyk, and Damasiewicz; and a closing sextet improvisation. Discussions followed on music’s role amid current crises—war, migration, and social upheaval—and on joint plans for 2026.
June 8 – Amsterdam – Der Tanker
The collective joined the Amsterdam improvised music scene for a night of performances by local artists. Amid the sets, the team held talks about upcoming collaborations between the L.A.S. Foundation and its publishing arm.
June 9 – Amsterdam – Splendor – Spinifex
A meeting with musicians Tobias Klein and Jasper Stadhouders centered around expanding collaborations with L.A.S. Records and formulating artistic plans for 2026.
Strengthening European Artistic Bonds EU 2025
In early June 2025, the L.A.S. Collective—comprising Piotr Damasiewicz, Krzysztof Kasprzyk, Grzegorz Lesiak, and Justyna Miguła—embarked on a journey across Europe in pursuit of building and strengthening artistic collaborations. The tour featured ten art-focused events across selected European cities. Stops included Wrocław, Berlin, Brussels, Amsterdam, Paris, Luxembourg, and Dresden, with a grand finale performance at the prestigious Avant Art Festival in Berlin.
“Strengthening European Artistic Bonds”
This motto represented more than a series of concerts—it signified a deeper commitment to international dialogue, cooperation, and mutual inspiration. Collaborating with artists from diverse backgrounds, L.A.S. Collective engaged in a variety of social, artistic, and educational initiatives, highlighting the role of music as a medium for communication, integration, and critical reflection on contemporary socio-political challenges.
The tour became a fertile space for informal conversations, intense creative sessions, workshops, and performances that laid the groundwork for new projects, compositions, and collaborative ventures—from record releases and artistic residencies to international events. These encounters nurtured a dynamic network of interpersonal and creative relationships, transcending linguistic and cultural barriers.
This project showcased culture as a platform of openness, cooperation, and sustainable development—where each initiative holds not only artistic but also social value, building bridges between artists, communities, and audiences.
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